Listen

Chaconne in G Minor - Tomasco Antonio Vitali - full version!

<< Previous classical music pieceNext classical music piece >>
Composer:
Tomaso Antonio Vitali
Performer:
Dina Vainshtein, Xiang Angelo Yu
Source:
Isabella Stewart Gardner Museum, Boston
License:
CC BY-NC-ND 2.0
Views:
282

Download classical music piece as: mp3  
Add to classical music CD / Create free classical music CD
Add to playlist

Share Button


Tomaso Antonio Vitali (March 7, 1663 – May 9, 1745) was an Italian composer and violinist from Bologna, the eldest son of Giovanni Battista Vitali. He is known mainly for a chaconne in G minor for violin and continuo, which was published from a manuscript in the Sächsische Landesbibliothek in Dresden in Die Hoch Schule des Violinspiels (1867) edited by German violinist Ferdinand David). That work's wide-ranging modulations into distant keys have raised speculation that it could not be a genuine baroque work.

Biography

Vitali studied composition in Modena with Antonio Maria Pacchioni, and was employed at the Este court orchestra from 1675 to 1742. He was a teacher, whose pupils included Evaristo Felice dall'Abaco, Jean Baptiste Senaillé, Girolamo Nicolò Laurenti and Luca Antonio Predieri.

Authentic works by Vitali include a set of trio sonatas published as his opus numbers 1 and 2 (1693), sonatas da camera (chamber sonatas), and violin sonatas (including his opus 6) among other works. Among those that have been recorded include all of the op. 1 (on Naxos 8.570182), three of the violin sonatas (on the Swiss label Gallo), and some of the sonatas from the opp. 2 and 4 sets (opus 4, no. 12 on Classica CL 101 from Finland.)

He died at Modena.

The chaconne

A chaconne is a musical form used as a vehicle for variation on a repeated short harmonic progression over a ground bass. The Chaconne was marked by the copyist, at the time of transcription, in the upper margin of the first page of the Dresden manuscript as "Parte del Tomaso Vitalino" (Tomaso Vitalino's part), who may or may not be Vitali. One striking feature of the "Vitali" Chaconne's style is the way it wildly changes key, reaching the far-flung territories of B-flat minor and E-flat minor, modulations uncharacteristic of the Baroque era, as change of key signature became typical only in Romanticism. The manuscript, Sächsische Landesbibliothek Dresden, Mus. 2037/R/1, has more recently been identified as being in the hand of Jacob Lindner, a known copyist who was working at the Dresden Hofkapelle between 1710 and 1730, which lends credit to its authenticity. Despite musicological doubts, the piece has been ever popular amongst violinists. For example, Jascha Heifetz chose it, in a "very much arranged and altered version", with organ accompaniment, to open his New York debut in Queen's Hall on 5 May 1920. Arrangements of it exist for violin and piano by Ferdinand David and by Léopold Charlier, for violin and organ, for violin and orchestra by Ottorino Respighi, and there are transcriptions of it for viola and piano by Friedrich Hermann (1828-1907) and by Alan Arnold (contemporary American violist and music publisher, owner of "Viola World Publications") and for cello and piano by Luigi Silva.
----------------------------------------­-------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.

Classical music piece performed by: Xiang Angelo Yu, violin and Dina Vainshtein, piano
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org

Painting license: digital copy of the painting by courtesy of the National Gallery of Art

Classical music piece ID: HDCM0829

You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, curated playlists and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! 🙂


This project is made possible by the passion and hard work of thousands of people around the world, who have recorded the individual pieces of music, and by a small and dedicated team who has worked hard for over a year and a half to centralize them and bring them to you. We need your support to help us maintain, and develop our project further, so that we can achieve our goal of making classical music truly available to everyone in the world for free! Read about our values and long-term plan in our mission statement, check out our progress in our global statistics, and please consider supporting us.